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              |  | Galerie Peter HerrmannOtobong Nkanga
 
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                | Curriculum Vitae |  
                | 1974 | Born in Kano, Nigeria |  
                | Ausbildung / Education |  
                | 1992 – 1994 | Obafemi Awolowo University, (OAU) Ile – Ife, Osun State, Nigeria |  
                | 1995 – 2001 | Ecole Nationale Superieure des Beaux – Arts (ENSBA) Paris, France. |  
                | Einzelausstellungen / Solo Exhibitions (selection) |  
                | 2004 | On Fragile Grounds, Window Gallery and Objectif_exhibitions as part of CLOSE READING #3, Antwerp, Belgium. |  
                | Ausgewählte Gruppenausstellungen/Selected Group Exhibitions   |  
                | 2004 | Stripped Bare, AFRICA REMIX, Museum Kunst Palast, Düsseldorf, Germany. |  
                |  | Women Artists from Africa Exhibition Series | No 4 - Galerie Peter Herrmann, Berlin. |  
                |  | House, EPIFYTEN, De Klassieke hortus als voerdingbodem voor hedendaagse kunst  Hortus Botanicus, Amsterdam, The Netherlands. (With catalogue). |  
                | 2003 | Fractured Gaps, Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands. |  
                |  | Sustained Suture, EL ARTE CON LA VIDA, VIII Biennale de la Habana, Havana, Cuba. (With catalogue). |  
                |  | International Performance Manifestation, CEIA, Belo Horizonte, Brazil. |  
                |  | Perfect Measures, TRANSFERTS, Palais des Beaux-Arts, Brussels, Belgium. (with catalogue). |  
                |  | Shift and Wait, Collaborative work with Le petit Jaunais edition house for the realisation of the series of Lithographs in book form. Maison de la Loire, Paris, France. |  
                | 2002 | Awaiting Pleasures, Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands. |  
                |  | The new acquisition of Jennifer Mcbright, CLASSICISM & BEYOND, Fotofest 2002, Project Row Houses, Houston, Texas, USA. (catalog) |  
                |  | Footpitch, OBSERVATORIO # 3, Casa Camouflage, Brussels, Belgium. |  
                |  | Footpitch, Dak’Art 2002, V Biennale of African Contemporary Art, Dakar, Senegal. (catalog). |  
                |  | ROND POINT, La Halle de Gombe, Kinshasa, RDCongo. |  
                |  | Untitled (Toll gate to Ibadan), OBSERVATORIO #1, Casa Camouflage, Brussels, Belgium. |  
                |  | Untitled (Toll gate to Ibadan), MADE IN AFRICA FOTOGRAFIA, Biennale di Fotografia Africana/ Sparzio Oberdan, Milan, Italy. (catalog). |  
                |  | Untitled (Toll gate to Ibadan), EN DIRECT DE BAMAKO, Galerie Photo Fnac Etoile, Paris, France. |  
                |  | Pleasure Fragments, DESSINS XXL, Le Lieu Unique, Nantes, France. (catalog). |  
                | 2001 | Untitled (Toll gate to Ibadan), MEMOIRES INTIMES D’UN NOUVEAU MILLENAIRE, IV Biennale de la Photographie Africaine, Bamako, Mali. (catalog). |  
                |  | INFAMOUS LABELS No 10, Bateau Phare collaborating with The Research program, ENSBA, Paris, France. |  
                | 2000 | H.U.M.U.S., Festival de la Jeune Creation. Houilles, France. |  
                |  | V Triennial Mondiales d’estampes petit format, Chamalieres, France. |  
                | 1999 | M.O.F., Galerie St Eustache, Paris, France. |  
                |  | Footpitch, TOXIC, Chateau d’Oiron, Oiron, France. |  
                | 1998 | False Paradise, Atelier Jean luc Vilmouth, ENSBA, Paris, France. |  
                | 1997 | IV Triennial Mondiales d’estampes petit format, Chamalieres, France. |  
                |  | Who do you think you are, GERICAULT…POINT VUE CONTEMPORAIN, Musee des Beaux-Arts, Paris, France.  |  
                | Preise/Awards   |  
                | 2003 | Dutch Ministry of Foreign Affairs/DCO/IC. The Netherlands. |  
                |  | Rijksakademie van beeldende kunsten/Dutch Ministry of Education, Culture and Science, The Netherlands. |  
                | 2002 | Ministère des Affaires Étrangères (AFAA) et Ministère de la Culture et de la Communication (DAP), France. |  
                |  | Rijksakademie van beeldende kunsten/Dutch Ministry of Education, Culture and Science, The Netherlands. |  
                | 2000 | Residency Program, Houilles, France. |  
                | Performances / Performance |  
                | 2003 | Fractured Gaps, Group performance involving dancers, Open Ateliers, Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands. |  
                |  | Shift and Wait, International Performance Manifestation, CEIA, Belo Horizonte, Brazil. |  
                |  | State of Amnesia, International Performance Manifestation, CEIA, Belo Horizonte, Brazil. |  
                |  | Perfect Measures, TRANSFERTS, Palais des Beaux-Arts, Brussels, Belgium. |  
                | 2002 | Sustained Suture, Rijksakademie van beeldende kunsten, The Netherlands. |  
                |  | The new acquisition of Jennifer Mcbright, CLASSICISM & BEYOND, Fotofest 2002, 9th International biennal of Photography, Project Row Houses, Houston, Texas, USA. |  
                |  | Bomboyi, Group performance involving the students of the Ecole des Beaux-Arts Kinshasa, Chooseone Organisation, Paris, ROND POINT, La Halle de Gombe, Kinshasa, RDCongo.s |  
                | 2001 | Fiat Lux II, INFAMOUS LABELS No 10, Bateau Phare collaborating with The Research program, ENSBA, Paris, France. |  
                | 1999 | Fiat Lux I, M.O.F., Galerie St Eustache, Paris, France. |  
                |  | The Dual Match (Footpitch), TOXIC, Chateau d’Oiron, Oiron, France. |  |